Pairs and Partners: Chiaroscuro

Curatorial Conversations

February 25 through April 16, 2017

On view in the Weil Graphic Arts Study Center

Overview

Pairs and Partners is all about points of view—specifically the points of view of museum curators. In this series of exhibitions drawn from the permanent collection of the MMFA, curators and other “guests” demonstrate the variety of ways in which works of art might be interpreted, based upon an individual’s education, experience, and judgment.  In each installation, the curators select two works of art from the museum’s collection that address the show’s specific theme.  They will then compare and contrast the works they have chosen, specifically explaining how they feel their chosen works address that theme. 

The first exhibition in the Pairs and Partners series will explore the use of chiaroscuro, that is, the strong contrast of light and dark in a composition. Interpreters note how the use of such strong contrast impacts the design of an artist’s composition, or, in some cases, the psychological implications of the contrast as it is presented to the viewer, along with other manifestations that may be unique to the individual object.

Above Selections by Jennifer Jankauskas (left to right): Caroline Davis (American, born 1963), “Now Those Who Were with Me Saw the Light but Did Not Hear the Voice of the One Who Was Speaking to Me,” gelatin silver print on paper, Montgomery Museum of Fine Arts Association Purchase, 2001.6.4; Anderson Scott (American, 1962–2020), Steam Press, 1990, chromogenic print on paper, Montgomery Museum of Fine Arts Association Purchase, 1991.6.1

Guest Curators

Margaret Lynne Ausfeld, Senior Curator of Art, Montgomery Museum of Fine Arts

Jennifer Jankauskas, Ph.D., Curator of Art, MMFA

Mark M. Johnson, Director, MMFA

Alice Novak, Curator of Education, MMFA

Michael Panhorst, Ph.D., Curator of Art, MMFA

 

Interpreters note how the use of such strong contrast impacts the design of an artist’s composition, or, in some cases, the psychological implications of the contrast as it is presented to the viewer, along with other manifestations that may be unique to the individual object.

Organizer

Organized by the Montgomery Museum of Fine Arts, Montgomery, Alabama.

Sponsor

Support for this exhibition was provided in part by a grant from the Alabama State Council on the Arts.

Exhibitions in the Series

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