Personal to Political: Celebrating the African-American Artists of Paulson Fontaine Press
May 02 through July 26, 2020
On view in the Goldman, Richard, and Rushton Stakely Galleries
The artists of Personal to Political capture the many personal narratives and political battles of African American artists across the country, reflecting a collective experience expressed in uniquely individual ways. Drawing on the experiences and conceptual interpretations of 15 artists, this exhibition includes a large collection of prints from Paulson Fontaine Press, a long-time time supporter of African-American artists like Kerry James Marshall, Martin Puryear, the Gee’s Bend quilters, among others.
Aptly situated in Berkeley, California—a city well-known for civil rights advocacy—and drawing on the San Francisco Bay Area’s rich history of fine art printmaking, Paulson Fontaine Press (PFP) has a long tradition of supporting both established and under-represented artists. PFP’s hands-off approach and philosophy to facilitate rather than direct is evident in the wide array of resulting work that is both broad in media and conceptual approaches. Interesting fusions like abstract expressionism and formal imagery, or transforming a traditional medium—like a quilt—into a print creates an interesting dialog between the artist and viewer. Personal to Political honors the stories and wisdom of African American artists that Paulson Fontaine Press has cherished for decades.
Personal to Political: Celebrating the African-American Artists of Paulson Fontaine Press was organized by Carrie Lederer, Curator of Exhibitions, Bedford Gallery, Lesher Center for the Arts, Walnut Creek, CA
Alabama State Council on the Arts
Thursday, May 21
Members Only, 4 PM; Public Reception, 5 PM
Fans of Abstract and African American art will enjoy celebrating works in Personal to Political and Ubuhle Women with a beading activity inspired by artist Lynthia Edwards and her reflections on African American life in the Southeast. Curator Jennifer Jankauskas will join to offer insights on both exhibitions.
Louisiana Bendolph (American, born 2005), American Housetop (For the Arnett’s), 2005, color softground etching with aquatint and spitbite aquatint, 45.5″ x 38″, Courtesy of Paulson Fontaine Press, Berkeley, California
Radcliffe Bailey (American, born 1968), In the Garden, 2003, color aquatint with color photocopy chine collé and velvet, Courtesy of Paulson Fontaine Press, Berkeley, California