Overview
Begin the afternoon with an energizing drum circle led by Timikel Sharp, setting the tone for a program rooted in rhythm, community, and cultural expression.
Join Big Chief Troy of the Algiers Warriors in Louisiana for a conversation about the legacy of Black Masking Indian culture and craftsmanship. He will share the history, meaning, and community traditions behind his suit, offering visitors a rare look into its creation. The program includes a live beading demonstration where participants can observe his techniques up close, with the opportunity to engage in hands‑on learning.
For more information, please contact Tiiwon Siaway at tsiaway@mmfa.org.
This program is free but space is limited. Please register below.
Schedule:
12 PM Drum Circle
1 PM Gallery Talk
2 PM Beading Demonstration
Guest Speaker
Big Chief Troy
Pictured above: Big Chief Troy Young of the Algiers Warriors (center) in his 2026 suit
Who are the Black Masking Indians?
Black Masking Indian culture stretches back to the 19th century, when Black New Orleanians were shut out of white Mardi Gras krewes and celebrations. In response, this group created something of their own for them.
Early masking practices drew from African ceremonial traditions and Afro-Caribbean spiritual systems that survived enslavement. These influences shaped the call and response chants, the drumming, and the collective movement that still shape the tradition today.
Early maskers used what they could find, from turkey feathers to beads cut from discarded gowns to hand-sewn patches. Over time, the suits evolved into massive works of art that can take a year or more to complete. Hand‑sewn, beaded suits and accessories were accompanied by music and vocal chants to create dynamic, all‑day performances, which echo some purposes of West African masquerade.
Today, Mardi Gras goers can see Black Masking tribes on Super Sundays, Fat Tuesday, and St. Joseph’s Day.
Related Exhibitions
From Masquerade to Masking
May 30 through August 16, 2026
On view in the Weil Gallery
