Behind the Art
Born in Japan during World War II, Jun Kaneko immigrated to the United States in 1963 to study painting at Chouinard, now known as CalArts in California. Soon, he began studying with influential ceramic artists including Peter Voulkos; their experiments in removing the functionality from clay in order to work expressively and abstractly led to what is known as the “American Clay Revolution.”
For the last 40 years Kaneko has worked extensively in Ceramics, Painting, Glass & Bronze. In 1985 he moved to Omaha Nebraska— where his current studios consist of over 80,000 square feet in 4 warehouses. A prolific artist, Kaneko is most renowned for his monumental, cylindrical, and triangular-shaped ceramic forms called “Dango”, the Japanese word for “rounded form”. Kaneko began creating monumental ceramics in 1982 using industrial kilns to produce the tallest single ceramic forms measuring up to 13’ tall. These enormous, playful, and innovative sculptures are not only an impressive technical achievement but also demonstrate his mastery of glazes. His works embody several dualities: the combination of painting and sculpture and the balancing of Eastern and Western ideas.
Featured in exhibitions nationally and internationally, Kaneko’s sculptures are also a part of museum collections around the world including the Fine Arts Museum of San Francisco, Los Angeles County Museum of Art, the Museum of Arts and Design in New York, the National Gallery of Australia, The National Museum of Art, Osaka, Japan, Philadelphia Museum of Art, the Smithsonian American Art Museum, and the Victoria and Albert Museum, London, England, and the MMFA. His work Untitled (Dango), 2003, is on view in the Museum’s Young Gallery.
Installation of three of Jun Kaneko’s works: Jun Kaneko (Japanese, born 1942), Untitled (Dango), 2004–2007, glazed ceramic, Lent by the artist