Joan Loeb, Chairperson of the Decorative Arts Committee, who was instrumental in bringing this historic and significant sculpture to the MMFA kicked off the event, and following the unveiling, Maurine Littleton shared her insights about the work. As a renowned gallery dealer and as the daughter of the artist, Maurine revealed how Harvey Littleton created the work, while describing her father’s relationship to many of the other artists featured in the MMFA’s collection of American studio glass including Dale Chihuly, Flora Mace and Joey Kirkpatrick, and Dante Marioni.
Maurine conveyed how to tell the difference between the different glass types utilized by artists—commercially available or hand-made—and why artists use various colors together, primarily because of similar melting temperatures. She also talked about the beginnings of the American Studio Glass movement, emphasizing the congenial nature of that artistic community. She believes that the sharing of ideas and techniques among artists helped the movement to blossom and grow. This is especially apparent in the early creation of glass programs at universities around the country—many started by students of her father. While these artists influenced each other, there was also a spirit of innovation that spurred so much creative experimentation, allowing artists to develop individual styles. Certainly, everyone could see Harvey Littleton’s extraordinary style and technique in Orange Triple Movement.
Curator of Art